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Markets In Fashion

RRP $317.99

Interest in contemporary cultural industries has grown in the past decade, as they take on a greater significance in our increasingly consumer-led society. Focusing on the world of fashion photography, this book presents an interdisciplinary approach in which this and other aesthetic markets, such as advertising, modelling, art, music and more, can be viewed.

The main thrust of this groundbreaking book, is in developing a theory for these cultural markets, characterized by insecurity, and where status and aesthetic diversity generate order and price differentiation. In these industries, services and products are offered that are a mix of the aesthetic and the economic, and for fashion photographers such as those studied here, it is necessary to carefully position themselves in the market by developing unique photographic styles and separating themselves from competitors.


Yet the markets in which these industries operate differ from the type of exchange markets depicted by neoclassical economists, and therefore cannot be considered using such modes of analysis. Instead Aspers conducts his study using empirical phenomenology, an original approach presented here for the first time, which can be easily used in other empirical studies. He draws on original empirical material; participant observation and interviews generated in New York and Stockholm; which bring a depth of analysis and a relevance to this book which academics, researchers and those with a vested interest in such industries will value.


Written by one of the world's brightest young economic sociologists, this fascinating book (previously published in Sweden and enthusiastically received) is endorsed by recognized industry authorities. A noteworthy book, it provides a foothold in the burgeoning sub discipline of economic sociology, and a significant analysis of the economics of the fashion photography industry.


A Guide To Fashion Sewing

RRP $55.00

A Guide to Fashion Sewing, 6th Edition, provides a comprehensive fashion sewing resource for beginning and advanced sewers alike. Readers will learn how to assemble and construct designs of various styles using proven industry methods for more than 100 sewing applications. Chapters cover everything from sewing equipment, measurements, and fabric selection to actual garment assembly. Filled with easy to follow, step-by-step instructions and large, clear illustrations, this book is an indispensable resource for constructing quality garments. Accompanying video demonstrations help readers learn at their own pace basic sewing skills and techniques such a seams, darts, bias binding, zipper, and garment assembly. The new edition features an updated design, new industrial sewing machine information and photographs, and expanded information on tailoring. Amaden-Crawford has added convenient metric measurement equivalents to the text, helpful project checklists to aid self-assessment of completed project, and 1/2 scale patterns to make sample garment assembly easier than ever before. PLEASE NOTE: Purchasing or renting this ISBN does not include access to the STUDIO resources that accompany this text. To receive free access to the STUDIO content with new copies of this book, please refer to the book + STUDIO access card bundle ISBN 9781501395284. STUDIO Instant Access can also be purchased or rented separately on BloomsburyFashionCentral.com.


Fashioning The Frame

RRP $29.95

The body has been the focus of much recent critical attention, but the clothed body less so. In answering the need to theorize dress, this book provides an overview of recent scholarship and presents an original theory of what dress means in relation to the body.

Identity relies on boundaries to individuate the self. Dress challenges boundaries: it frames the body and serves both to distinguish and connect self and ‘Other’. The authors argue that clothing is, then, both a boundary and not a boundary, that it is ambiguous and produces a complex relation between self and ‘not self’. In examining the role of dress in social structures, the authors argue that clothing can be seen as both restricting and liberating individual and collective identity.

In proposing that dress represents ‘a deep surface,’ a manifestation of the unconscious at work through apparently superficial phenomena, the book also questions the relationship between surface and depth and counters the notion of dress as disguise or concealment. The concept of the gaze and the role of gender are approached through a discussion of masks and veils. The authors argue that masks and veils paradoxically combine concealment and revelation, ‘truth’ and ‘deception’. Here the body and dress are both seen as forms of absence, with dress concealing not the body, but the absence of the physical body.

This provocative book is certain to become a landmark text for anyone interested in the intersection of dress, the body and critical theory.



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